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Mausam

 

*****

  • Release Date 23/09/2011
  • Distributor  Other 
  • Language  Hindi 
  • Genre  Romance 
  • Studio  Other 
  • Country  India 
  • Director  Pankaj Kapoor 
  • Star Shahid Kapoor  Sonam Kapoor 
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    Pankaj Kapoor, one of my most favorite and respected actors of Indian Film Industry, directing his first film project with his own son in the lead, was enough to make me super-excited. But at the same time I was equally disheartened with its promos and their confusing kind of content, ranging from the fields of Punjab to foreign locations along with Shahid in the dress of an Air Force Officer. So admittedly I did have a few apprehensions before going for the film, which unfortunately all came true as I watched this unconvincing kind of venture coming from the maestro Pankaj Kapoor himself. So, despite the fact that I am a die-hard fan of the Living Legend from almost two decades, I am sorry that I am unable to praise his first film as a director with the same spirits.
    The major reason for my dissatisfaction from MAUSAM remains its unexpectedly weak script having such strange sequences of co-incidences where the lead couple, suddenly meet each just like that both within India as well as abroad. And the most bizarre sequence among these was the foreign one (Switzerland), where Shahid is sitting in a train and he discovers Sonam standing there alone in the middle of snowy mountains with her packed bags and she is not even standing on the exact Station platform in a very questionable way. In fact throughout the film, they both keep bumping into each other, as if there is someone truly desperate to write their eternal love story from the sky above. At first they meet in Punjab, then Scotland, Switzerland and then towards the end, finally in Ahmadabad again. Particularly the shift from Punjab to Scotland puzzles the viewer hugely as there is no explanation given for that in the film itself.
    The second big factor which works against the film is its near 3 hours long duration which is too lengthy considering its unimpressive story build-up. The whole first hour of the film says nothing except showing the culture of Punjab with some childishly executed comical moments focusing on a particular sect. Truly speaking, I never expected Pankaj Kapoor making fun of few SIKH characters in his self-directed film quite purposefully. As I felt the entire first half of the film could have been easily wrapped up in only 30-40 minutes which eventually could have saved it from getting so uninteresting and even boring. Post intermission too the story has nothing new to say other than the usual plot of misconceptions and gap of communication between the loving couple which becomes the only cause of their separation.
    Frankly, in a romantic film, there is a basic requirement that the viewers must feel the love flowing between its lead couple and everyone should be able to relate with their heartbreaking departure from each other. But here, either the proceedings are too dead slow or they just jump from one point to another which never lets the viewer connect with its emotional storyline in the desired manner. MAUSAM is a pure love story of two innocent characters coming from distinctive religions, that’s fine. But the entertainment factor remains completely missing throughout the film, which really becomes painful after a while. Neither the AIR FORCE PLOT insertion (which is only included to bring in the KARGIL event), nor the reference of various communal riots, suffered by different countries is able to pull the viewer in. However, the music does give you some soothing moments in this tiring never ending saga but sadly the soundtrack is again not “anything exceptional” from Pritam. As usual I also felt traces of the song “Om Shanti Om” from KARZ in the track “Tashan Mein Rehna”.
    The film is hugely over-length and tends to go on and on with more deliberately created situations in the plot (within a span of time of a decade), where the lead couple meets repeatedly after many long gaps. And one of these absurd co-incidence comes right in the end where they both meet each other once again in the middle of “Gujarat Godhra Riots” all of a sudden. This weakly written and unconvincing climax is also one of the major drawbacks of the film which tries to bring in Shahid as the only Savior Hero to save the Girl in the end and it simply doesn’t justify their decade long love story from any angle.
    Performance wise, both Shahid and Sonam have really worked hard for their respective roles having various shades and character transformations in the script. Shahid is surely better in the second half and looks like overdoing it in the Punjab part of the film. But Sonam is the real winner here since she perfectly underplays her role, exactly as required by the script. Probably this is her best performance till date, contrary to her fashion Diva image in the Industry. From the rest of the cast only Supriya Pathak and Manoj Pahwa register their presence impressively and Anupam Kher simply remains wasted.
    In the end, I would like to share, that it strongly seems Pankaj Kapoor had only a one line idea before writing the script of MAUSAM, which must have been “A Love Story written around all the major Communal Hatred Events happened in India and abroad in the last two decades.”
    Since he couldn’t start with the Sikh Riots in 1984, so he begins from PUNJAB itself, with his Hero mentioning the BLUE STAR movement and its aftermaths in his dialogues. Talking about the homeless issue of Kashmiri Pandits, he then moves into the Babri Masjid Issue, followed by Mumbai Riots, Twin Tower Attack in America, Kargil War in India and then ending it all within the Gujarat Riots on a positive note.
    So, giving an extra star for this brilliant thought alone, I wish to give my best wishes to Pankaj Kapoor for his next directorial project, moving ahead of this forgettable first attempt called MAUSAM.
    Mausam is a Bollywood romance film directed and written by first time director Pankaj Kapoor under the Vistaar Religare Film Fund banner.The film stars Shahid Kapoor opposite Sonam Kapoor in the lead roles.

    The film was originally scheduled to release on September 16, 2011, but due to the delay in obtaining the NOC from the IAF, it was pushed back further by a week. The film finally released on September 23, 2011.

    Mausam, a love story in its first season start with mere adolescent attraction between a Punjabi boy Harry, and a Kashmiri girl Aayat, in a small village of Punjab. It develops into young love between them in season two. Their love realizes its own depth in the hours of separation through season three. In the fourth and final season their love culminates into togetherness. But not before sacrificing a lot personally and learning the truth behind universal love. It is a passionate love story which sees, as its background various shades of life, questioning us and yet not becoming indulgent.

    The film has grossed Rs. 41 crore in its opening weekend (not nett gross) with Rs. 33.5 crore in India (nett collection: Rs. 23.5 crore) and Rs. 7.5 crore from overseas markets. Box office India declared the film a 'flop' after its first week as it only collected INR28 crore (US$6.24 million) nett in its first week and saw a huge drop on its 8th day The film also did not do well overseas as it was reported by Box Office India to finish around the $2 million mark and was declared a 'flop' in overseasas well.
    Mausam is a Bollywood romance film directed and written by first time director Pankaj Kapoor under the Vistaar Religare Film Fund banner.[2] The film stars Shahid Kapoor opposite Sonam Kapoor in the lead roles.

    The film was originally scheduled to release on September 16, 2011, but due to the delay in obtaining the NOC from the IAF, it was pushed back further by a week. The film finally released on September 23, 2011.

    Mausam, a love story in its first season start with mere adolescent attraction between a Punjabi boy Harry, and a Kashmiri girl Aayat, in a small village of Punjab. It develops into young love between them in season two. Their love realizes its own depth in the hours of separation through season three. In the fourth and final season their love culminates into togetherness. But not before sacrificing a lot personally and learning the truth behind universal love. It is a passionate love story which sees, as its background various shades of life, questioning us and yet not becoming indulgent.

    The film has grossed Rs. 41 crore in its opening weekend (not nett gross) with Rs. 33.5 crore in India (nett collection: Rs. 23.5 crore) and Rs. 7.5 crore from overseas markets. Box office India declared the film a 'flop' after its first week as it only collected INR28 crore (US$6.24 million) nett in its first week and saw a huge drop on its 8th day The film also did not do well overseas as it was reported by Box Office India to finish around the $2 million mark and was declared a 'flop' in overseasas well.


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